Category Archives: body

BlacKkKlansman: Performing Race and Purity

Once a great director, with BlacKkKlansman Spike Lee makes a pedagogical fudge wrapped in cheap humour. BlacKkKlansman tells the true story of Ron Stallworth (played by John David Washington), an African-American detective in the Colorado Springs Police Department, who infiltrated the Ku Klux Klan in the 1970s. … Continue reading

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The Originals – Bourdieu & Hollywood’s tack

The Originals is a most unoriginal show trying to bank on the image of seduction and transgression of vampires whilst being utterly conventional. The Originals are the ‘original vampires’ from whom all other vampires have descended. They come from medieval … Continue reading

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American Horror Story (Coven) 2 – Othering Voodoo, Race, & Rationality

As mentioned in my previous post on Coven, the series is set in a boarding school for witches in New Orleans, Louisiana. One of the witches is Queenie (Gabourey Sidibe), who is human voodoo doll. She can harm others by … Continue reading

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Good Women, Bad Women, and Witches – Hocus Pocus, The Craft, Practical Magic

Hocus Pocus is fun. It is for children so the evil witches are more fun than scary. Yet, they follow the traditional cinematic construct of the evil witch as a bad woman, a woman who does not adhere to the … Continue reading

Posted in 'othering', body, family, fantasy/supernatural, femininity, gender, good & evil, Hocus Pocus, love, magic, morality, nature, patriarchy, Practical Magic, sexuality, The Craft, witchcraft | Tagged , , , , , , , | 1 Comment

Dracula (1992) – Sex, Misogyny, and Christianity

Dracula begins with an overload of cheap special effects, where images are superimposed, one fades into the other, and a battle is represented through Chinese shadows. One can’t help wonder whether the director is some overenthusiastic film school’s graduate who’s … Continue reading

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Francis of Assisi (part 3) – Cavani’s Francesco

Liliana Cavani made two films about Francis: Francis of Assisi (1966) and Francesco (1989). Both were considered scandalous. The 1966 film reflected the cultural and social changes of the sixties. The social awakening of youth, the breaking away from authority, … Continue reading

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