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Author Archives: fesmontemaggi
Joe Rogan & Dr Robert Malone. Conspiratorial Storytelling.
Rogan and Malone play the heroes persecuted by the evil authoritarian State, bought by Big Pharma and Tech. In this conspiratorial tale there are heroes and villains. The only thing missing is the truth. Critical Thinking, What Critical Thinking? Rogan … Continue reading
Posted in America, autonomy, capitalism, consciousness, conspiracy theories, freedom, good & evil, individualism, institutions, knowledge/epistemology, reality, Truth
Tagged Covid-19, Joe Rogan, Robert Malone, Vaccine
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Dogman: Manhood and Belonging
Far from the aestheticising mania of much contemporary film-making, Garrone’s film-making feels neo-expressionist. He captures what is underneath: the chagrin of the characters, the social desolation, and the violence. Continue reading
Posted in Dogman, expressionism, gender, good & evil, innocence, italy, loyalty, masculinity, morality, Uncategorized
Tagged belonging, Dogman, ethics, Garrone, manhood, morality, violence
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The Post: Nixon-Trump, Bullshit, and the Forgotten Woman
The flawed comparison of Nixon with Trump is pursued through a trite investigative structure, which leaves a much more interesting story unexplored: the story of a woman who takes ownership of her own self. There are times when the story-teller … Continue reading
Posted in America, consciousness, democracy, disenchantment, emotions, entertainment, epistemology of suspicion, gender, journalism, knowledge/epistemology, Paul Ricoeur, personhood, politics, postmodernism, reality, Sixties Counterculture, The Big Short, The Post, Truth, Uncategorized, Vice, Vietnam War
Tagged bullshit, gender, Katharine Graham, Knowledge, lies, Nixon, Pentagon Papers, post-truth, Spielberg, The Post, Trump, Truth, Vietnam
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Vice. Trumpesque Hollywood for a Disenchanted Era
Vice is a missed opportunity. A more coherent, subtle, and ironical effort could have presented Dick Cheney as a key actor in ushering in the descent into the current paranoia, conspiracy theories, and anti-establishment populism. Dick Cheney was Secretary of … Continue reading
Posted in America, belief, democracy, disenchantment, Hyperreality, identity politics, knowledge/epistemology, morality, politics, postmodernism, power, Sixties Counterculture, society, Truth, Vice
Tagged Academy Awards, Adam McKay, Braudillard, Christian Bale, conspiracy theories, Dick Cheney, disenchantment, entertainment, film, George W. Bush, Hollywood, hyperreal, Hyperreality, Iraq war, oscars, paranoia, politics, post-truth, Trump, Truth, Vice, Vice Movie
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Roman J. Israel Esq.: Denzel Washington and Identity Politics
The film Roman J. Israel Esq. is incredibly frustrating. It has a strong moral question at the core, but it is totally unable to communicate it in a credible way. It is the story of a socially awkward and idealistic … Continue reading
The Chilling Adventures of Sabrina: Testing Goodness and the American Family
The Netflix series comes from the 1990s programme Sabrina The Teenage Witch. It is slightly tainted by Hollywood obsessive market segmentation which dictates specific styles and motifs to appeal to specific demographics; yet this Sabrina is really not for young … Continue reading
Posted in Christianity, family, fantasy/supernatural, gender, good & evil, Halloween, horror, magic, morality, myth, religion, ritual, Sabrina, Satanism, TV, witchcraft
Tagged Christianity, Family, horror, Sabrina, Satanism, tv, witchcraft, witches
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The Founder – a dark capitalist fairy-tale
The Founder tells the story of Ray Kroc, who turned a modest fast-food restaurant into McDonald’s by betraying the integrity, hard work, and perseverance. It espouses the American virtues of visionary entrepreneurship and self-made success while showing how success is … Continue reading
Posted in America, American dream, authenticity, capitalism, finance/economics, food, Max Weber, morality, nation, Protestantism, The Founder
Tagged America, American Dream, capitalism, McDonald's, Weber
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The Spanish Apartment – The making of a European identity
There are hardly any films on European identity or even historical events from a European angle. The Spanish Apartment (L’auberge espagnole) is perhaps the only film about Europeans within the context of the EU. It is a commercial comedy, in which young … Continue reading
Posted in European Union, nation, race/diversity, transnationalism/postnationalism, UK
Tagged EU, EU referendum, Europe, European Union, nation, UK
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The Golden Door – Migration and Europe
The Golden Door (Nuovomondo) is a beautiful film. It’s touching, but never sentimental. It is hard, but never gritty. It is the story of Sicilian migrants to the US at the turn of the 20th century. Back then, the US … Continue reading
Posted in 'othering', America, democracy, European Union, journalism, migration, nation, postcolonialism, race/diversity, UK
Tagged EU, EU referendum, Europe, European Union, migration, UK, xenophobia
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The Olden Days – The Nation & the EU
Exchanging views with Brexiteers I could not help but notice a lack of sense of history. It is not a mere knowledge of history, which is certainly lacking, but an understanding that break-ups of geopolitical systems (be they an empire, … Continue reading
Posted in 'othering', democracy, European Union, institutions, myth, nation, politics, power, romanticism, sovereignty, The Olden Days, UK
Tagged Britain, EU, EU referendum, European Union, myth, nation, nationalism, nationhood, UK, xenophobia
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