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Category Archives: expressionism
Dogman: Manhood and Belonging
Far from the aestheticising mania of much contemporary film-making, Garrone’s film-making feels neo-expressionist. He captures what is underneath: the chagrin of the characters, the social desolation, and the violence. Continue reading
Posted in Dogman, expressionism, gender, good & evil, innocence, italy, loyalty, masculinity, morality, Uncategorized
Tagged belonging, Dogman, ethics, Garrone, manhood, morality, violence
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Cinema through Sociology & Anthropology 